{"id":1670,"date":"2024-11-21T15:06:06","date_gmt":"2024-11-21T15:06:06","guid":{"rendered":"https:\/\/solosemble.top\/?page_id=1670"},"modified":"2026-06-02T16:31:41","modified_gmt":"2026-06-02T14:31:41","slug":"solisten","status":"publish","type":"page","link":"https:\/\/solosemble.de\/en\/solisten\/","title":{"rendered":"SOLOISTS"},"content":{"rendered":"
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Our Soloists: Excellence on Stage<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The heart of Solo Semble lies in our artists\u2014outstanding individuals who are at home on Europe's renowned opera stages. Each of them brings not only technical brilliance and years of international experience, but also a deep dedication to our shared mission. As a dynamic chamber opera ensemble, we unite brilliant opera soloists in Berlin into a powerful musical entity. We believe that the human voice is the most direct expression of emotion. Our soloists are not merely virtuosos in their field, but co-creators of our artistic vision. Discover the impressive backgrounds of the artists whose passion and personality make Solo Semble so distinctive.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Roman Poboinyi
Tenor <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Roman Poboinyi is a lyric tenor with profound interpretive power who has been firmly established in the German opera scene for over a decade. Since 2024, he has been active at the renowned Deutschen Oper Berlin.<\/b> In parallel, as a leading soloist, he shapes the artistic vision of the Solo Semble ensemble.<\/p>

A central chapter of his solo career in Germany was his long-standing permanent engagement as a soloist at the Staatstheater Augsburg<\/b> (2017\u20132024). Here, he mastered a broad spectrum of major roles in his repertoire, including TaminoDie Zauberfl\u00f6te<\/i>), Alfredo (La Traviata<\/i>), Edgardo (Lucia di Lammermoor<\/i>) und Rosillon (Die lustige Witwe<\/i>Previously, he made guest appearances at the Oper Stuttgart<\/b> and interpreted demanding roles such as Hoffmann (Hoffmanns Erz\u00e4hlungen<\/i>) and Rinuccio (Gianni Schicchi<\/i>).<\/p>

Beyond the opera stage, Roman Poboinyi is internationally sought after in the concert and oratorio repertoire. He regularly excels in the great tenor parts in masterpieces such as Bruckner's Te Deum<\/i>, Orff's Carmina Burana<\/i>, Gounod's Messe solennelle<\/i> and Schubert's Schwanengesang<\/i>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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His artistic versatility is further documented by the highly acclaimed CD recording of Richard Flury's opera Der schlimmheilige Vitalis<\/i> with the Nuremberg Philharmonic, released worldwide under the renowned British label Toccata Classics<\/b>.<\/p>

Roman Poboinyi perfected his academic training with a master's degree at the Staatlichen Hochschule f\u00fcr Musik und Darstellende Kunst Stuttgart<\/b> under the world-renowned baritone Prof. Georg Nigl. He completed his initial academic path in opera singing at the National Music Academy of Ukraine in Kyiv under Prof. Oleksandr Vostryakov, having previously successfully completed medical studies.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Daria Bardash\nDramatic Coloratura Soprano<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Daria Bardash combines a profound European vocal tradition with an intense stage presence. Her concert career has taken her to renowned stages. Among her defining milestones is her performance at the Berliner Philharmonie<\/b>, where she sang the soprano parts (Gabriel and Eve) in Joseph Haydn's Die Sch\u00f6pfung<\/i> under the baton of Thomas Hennig. In the contemporary repertoire, her notable roles include Gerda in Giordano Bruno da Nascimento's .<\/i> and the Primadonna Theatre Behind the Sculptures<\/i> (Kyiv).<\/p>

Her repertoire demands the highest technical precision and vocal flexibility. It encompasses central roles of Western opera literature, such as the Queen of the Night (Die Zauberfl\u00f6te<\/i>), Konstanze (Die Entf\u00fchrung aus dem Serail<\/i>) and Gilda (Rigoletto<\/i>). With the same dedication, she commits herself to the leading roles of Ukrainian operatic classics, including Oksana in Hulak-Artemovsky's Zaporozhian Cossack beyond the Danube<\/i> and Natalka in Lysenko's Natalka Poltavka,<\/i>.<\/p>

She completed her academic training in opera singing with a Master of Arts degree. She was mentored by leading soloists of the National Opera of Ukraine and the National Philharmonic (Prof. Svitlana Kysla, Prof. Elvira Kolosova). The internationally acclaimed tenor Kaludi Kaludov aptly summarizes her profile: \"Daria Bardash possesses a rare stage magnetism\u2014a combination of fire, crystalline purity, and great artistry.\"<\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The internationally acclaimed tenor Kaludi Kaludov aptly summarizes her profile:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vadym Bardash
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Vadym Bardash is a lyric baritone valued for his velvety vocal depth, stylistic finesse, and powerful stage presence. Based in Berlin, he brings his extensive theatrical experience to the Solo Semble ensemble, significantly shaping its artistic profile.<\/p>

A defining foundation of his solo career was his six-year engagement as a principal soloist at the National Operetta Theater of Kyiv<\/b>, one of Ukraine's leading musical theaters. During this time, he developed a multifaceted repertoire, which includes the title role in Tchaikovsky\u2019s Eugene Onegin,<\/i>Schaunard in Puccini\u2019s La Boh\u00e8me<\/i>, the Sultan in Hulak-Artemovsky\u2019s Zaporozhian Cossack beyond the Danube<\/i>, Mykola in Lysenko\u2019s Natalka Poltavka,<\/i> and numerous other principal roles in both opera and operetta.<\/b><\/p>

Beyond the classical canon, Vadym Bardash demonstrates a distinct versatility in contemporary music and theater projects. His performances as the Author in the musical Salomon und Sulamith,<\/i> as well as the Pilot in Giordano Bruno da Nascimento\u2019s modern opera Der letzte Schnee, have been equally appreciated by critics and audiences alike .<\/i>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vadym Bardash completed his academic training with a Master of Arts degree in opera singing at the renowned National Tchaikovsky Music Academy of Ukraine<\/b> (Kyiv Conservatory). He began his journey at the Kosenko Music College in Zhytomyr under the People's Artist Oleksandra Vareha. He continuously refines his craft through exchanges with leading European vocal coaches and within the framework of international masterclasses.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Unsere Solisten: Exzellenz auf der B\u00fchne Das Herzst\u00fcck von Solo Semble sind unsere K\u00fcnstlerinnen und K\u00fcnstler \u2013 herausragende Pers\u00f6nlichkeiten, die auf den renommierten Opernb\u00fchnen Europas zu Hause sind. Jeder von ihnen bringt nicht nur technische Brillanz und jahrelange internationale Erfahrung mit, sondern eine tiefe Hingabe an unsere gemeinsame Mission. Als dynamisches Kammeropern-Ensemble vereinen wir brillante Opernsolisten in Berlin zu einer starken musikalischen Einheit. Wir sind \u00fcberzeugt, dass die menschliche Stimme der direkteste Ausdruck von Emotion ist. Unsere Solisten sind nicht nur Virtuosen ihres Fachs, sondern Mitgestalter unseres k\u00fcnstlerischen Anspruchs. Entdecken Sie die beeindruckenden Werdeg\u00e4nge jener K\u00fcnstler, deren Leidenschaft und Pers\u00f6nlichkeit Solo Semble so unverwechselbar machen. Roman Poboinyi Tenor Roman Poboinyi ist ein lyrischer Tenor mit ausgepr\u00e4gter gestalterischer Kraft, der seit \u00fcber einem Jahrzehnt fest in der deutschen Opernlandschaft etabliert ist. Seit 2024 ist er an der renommierten Deutschen Oper Berlin t\u00e4tig. Parallel dazu pr\u00e4gt er als f\u00fchrender Solist die k\u00fcnstlerische Vision des Ensembles Solo Semble. Ein zentrales Kapitel seiner solistischen Laufbahn in Deutschland bildete sein langj\u00e4hriges Festengagement \u044f\u043a Solist am Staatstheater Augsburg (2017\u20132024). Hier erarbeitete er sich ein breites Spektrum an Hauptpartien seines Fachs, darunter Tamino (Die Zauberfl\u00f6te), Alfredo (La Traviata), Edgardo (Lucia di Lammermoor) und Rosillon (Die lustige Witwe). Zuvor gastierte er bereits an der Oper Stuttgart und interpretierte anspruchsvolle Rollen wie Hoffmann (Hoffmanns Erz\u00e4hlungen) und Rinuccio (Gianni Schicchi). Neben der Opernb\u00fchne ist Roman Poboinyi im Konzert- und Oratorienfach international gefragt. Er brilliert regelm\u00e4\u00dfig mit den gro\u00dfen Tenorpartien in Meisterwerken wie Bruckners Te Deum, Orffs Carmina Burana, Gounods Messe solennelle und Schuberts Schwanengesang. Slide 1 Title Slide 1 Sub Title Slider 1 Description Text, Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur laoreet cursus volutpat. Aliquam sit amet ligula et justo tincidunt laoreet non vitae lorem. Button 1Button 2 Slide 2 Title Slide 2 Sub Title Slider 2 Description Text, Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur laoreet cursus volutpat. Aliquam sit amet ligula et justo tincidunt laoreet non vitae lorem. Button 1Button 2 Slide 3 Title Slide 3 Sub Title Slider 3 Description Text, Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur laoreet cursus volutpat. Aliquam sit amet ligula et justo tincidunt laoreet non vitae lorem. Button 1Button 2 https:\/\/www.youtube.com\/watch?v=fO3jxdTjiZI \u00a0 Seine k\u00fcnstlerische Vielseitigkeit dokumentiert zudem die vielbeachtete CD-Einspielung von Richard Flurys Oper Der schlimmheilige Vitalis mit den N\u00fcrnberger Philharmonikern, weltweit ver\u00f6ffentlicht unter dem renommierten britischen Label Toccata Classics. Seine akademische Ausbildung perfektionierte Roman Poboinyi mit einem Masterstudium an der Staatlichen Hochschule f\u00fcr Musik und Darstellende Kunst Stuttgart bei dem weltweit gefeierten Bariton Prof. Georg Nigl. Seinen ersten akademischen Weg im Fach Operngesang schloss er an der Nationalen Musikakademie der Ukraine \u0432 Kiew bei Prof. Oleksandr Vostryakov ab, nachdem er zuvor erfolgreich ein Medizinstudium absolviert hatte. Daria Bardash Dramatischer Koloratur-Sopran Daria Bardash verbindet fundierte europ\u00e4ische Gesangstradition mit intensiver B\u00fchnenpr\u00e4senz. Ihre Konzertt\u00e4tigkeit f\u00fchrt sie auf renommierte B\u00fchnen. Zu den pr\u00e4genden Stationen geh\u00f6rt ihr Auftritt in der Berliner Philharmonie, wo sie die Sopranpartien (Gabriel und Eva) in Joseph Haydns Die Sch\u00f6pfung unter der Leitung von Thomas Hennig \u00fcbernahm. Im zeitgen\u00f6ssischen Fach interpretierte sie unter anderem die Rolle der Gerda in Giordano Bruno da Nascimentos Der letzte Schnee sowie die Primadonna in Theatre Behind the Sculptures (Kiew). Ihr Repertoire erfordert h\u00f6chste technische Pr\u00e4zision und vokale Flexibilit\u00e4t. Es umfasst zentrale Partien der westlichen Opernliteratur wie die K\u00f6nigin der Nacht (Die Zauberfl\u00f6te), Konstanze (Die Entf\u00fchrung aus dem Serail) und Gilda (Rigoletto). Mit derselben Hingabe widmet sie sich den Hauptrollen der ukrainischen Opernklassik, darunter Oksana in Hulak-Artemowskyjs Saporoshez an der Donau und Natalka in Lyssenkos Natalka Poltawka. Ihre akademische Ausbildung im Fach Operngesang schloss sie mit dem Master of Arts ab. Sie wurde von f\u00fchrenden Solistinnen der ukrainischen Nationaloper und Nationalphilharmonie (Prof. Svitlana Kysla, Prof. Elvira Kolosova) ausgebildet. Der international gefeierte Tenor Kaludi Kaludov fasst ihr Profil treffend zusammen: \u201eDaria Bardash besitzt einen seltenen B\u00fchnenmagnetismus \u2013 eine Kombination aus Feuer, kristalliner Reinheit und gro\u00dfer Kunstfertigkeit.\u201c Der international gefeierte Tenor Kaludi Kaludov fasst ihr Profil treffend zusammen: \u201eDaria Bardash besitzt einen seltenen B\u00fchnenmagnetismus \u2013 eine Kombination aus Feuer, kristalliner Reinheit und gro\u00dfer Kunstfertigkeit.\u201c Vadym BardashLyrischer Bariton Vadym Bardash ist ein lyrischer Bariton, der f\u00fcr seine samtige vokale Tiefe, stilistische Finesse und starke B\u00fchnenpr\u00e4senz gesch\u00e4tzt wird. Von Berlin aus bringt er seine fundierte Theatererfahrung in das Ensemble Solo Semble ein und pr\u00e4gt dessen k\u00fcnstlerisches Profil ma\u00dfgeblich. Ein pr\u00e4gendes Fundament seiner solistischen Laufbahn bildet sein sechsj\u00e4hriges Engagement als Hauptsolist am Nationalen Operettentheater Kiew, einem der f\u00fchrenden Musiktheater der Ukraine. In dieser Zeit erarbeitete er sich ein facettenreiches Repertoire, das die Titelrolle in Tschaikowskis Eugen Onegin, Schaunard in Puccinis La Boh\u00e8me, den Sultan in Hulak-Artemowskyjs Saporoshez an der Donau, Mykola in Lyssenkos Natalka Poltawka und zahlreiche weitere Hauptpartien des Opern- und Operettenfachs umfasst. Neben dem klassischen Kanon beweist Vadym Bardash eine ausgepr\u00e4gte Vielseitigkeit in zeitgen\u00f6ssischen Musik- und Theaterprojekten. Von Kritik und Publikum gleicherma\u00dfen gew\u00fcrdigt wurden seine Darstellungen des Autors im Musical Salomon und Sulamith sowie des Piloten in Giordano Bruno da Nascimentos moderner Oper Der letzte Schnee. https:\/\/www.youtube.com\/watch?v=43BmKsV53cs \u00a0 Seine akademische Ausbildung schloss Vadym Bardash mit dem Master of Arts im Fach Operngesang an der renommierten Nationalen Tschaikowski-Musikakademie der Ukraine (Kiewer Konservatorium) ab. Seinen Weg begann er am Kosenko-Musikkolleg in Schytomyr bei der Volksk\u00fcnstlerin Oleksandra Vareha. Er verfeinert seine Kunst kontinuierlich im Austausch mit f\u00fchrenden europ\u00e4ischen Gesangscoaches und im Rahmen internationaler Meisterklassen.<\/p>","protected":false},"author":1,"featured_media":3349,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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